Oscars 2022 Final Best Picture winner predictions (2024)

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“Shakespeare in Love” versus “Saving Private Ryan.”

“Crash” versus “Brokeback Mountain.”

“The Hurt Locker” versus “Avatar.”

“The King’s Speech” versus “The Social Network.”

“Moonlight” versus “La La Land.”

“Green Book” versus “Roma.”

“Parasite” versus “1917.”

When the 2022 Oscars crown its Best Picture winner, we’ll get to add “CODA” versus “The Power of the Dog” to that list of all-time Academy Awards battles.

What once seemed like a no-brainer win for “The Power of the Dog,” which led all films with 12 Oscar nominations, has become a toss-up race with no clear winner. While “The Power of the Dog” has proved sticky — it wonJane Campion a Best Director honor from the Directors Guild and earned top prizes at BAFTA and the Critics Choice Awards — no film since “Parasite” has arguably generated as much enthusiasm on the campaign trail as “CODA.” The Sundance 2021 hit about a deaf family and their hearing daughter has won over audiences for over a year, and earned major prizes from the Screen Actors Guild Awards, Writers Guild Awards, BAFTA Awards in adapted screenplay, and perhaps most significantly, Producers Guild Awards. It is that last victory that could provide a preview of Sunday’s Oscars ceremony: “CODA” beat “The Power of the Dog” on a preferential ballot, which is the same system the academy uses to pick the Best Picture winner.

But while this year’s Best Picture race has settled on those two films — if either feature wins, it will become the first streaming movie to ever take the top Oscars prize — there are eight other nominees worth mentioning one last time. Steven Spielberg’s “West Side Story” didn’t match the nominations tally of its 1961 predecessor, but did surface in Best Director and Best Supporting Actress for Ariana DeBose, among other categories.“West Side Story” was pegged as the crowd-pleasing alternative to “The Power of the Dog,” but the coronavirus pandemic has slightly altered that narrative. With the theatrical business still struggling to support adult dramas, plus a massive spike in cases this winter due to the omicron variant of the disease, “West Side Story” has failed to generate the financial success it might have were this 2019. It also underperformed at the Screen Actors Guild Awards, where its only nominee was DeBose. (That guild members received a late physical screener was cited as a potential reason for its snubs.)

Kenneth Branagh’s “Belfast” and Reinaldo Marcus Green’s “King Richard” both, in prior years, likely would have been box-office hits as well. But in 2021, each struggled to overcome the obstacles facing awards contenders – adversity augmented by the lack of televised awards shows in January due to rising coronavirus cases. “For the box office — when there was a fully functioning box office — those award shows were everything,” Nancy Utley, the former co-chairman of Fox Searchlight, told the New York Times. “The recognition there became the reason to go see a smaller movie. How do you do that in the current climate? It’s hard.”

Still, it’s possible each of those films wins something on Oscars night. “King Richard” is expected to giveWill Smith his first Academy Award, while “Belfast” could make Branagh a first-time winner if its screenplay prevails.

The remaining five slots went to “Dune” (which had 10 nominations and is the lone nominee that could be counted as a blockbuster theatrical hit), Paul Thomas Anderson’s “Licorice Pizza,”Adam McKay‘s climate-change comedy-drama “Don’t Look Up,” Guillermo Del Toro’s “Nightmare Alley” (another drama that got washed away at the box office due to the current climate for theatrical releases), and Ryusuke Hamaguchi’s “Drive My Car,” which has won numerous major critical prizes and is one of the most awarded films on that front in the modern era. (“Drive My Car” landed four total nominations, including Best Director and Best Adapted Screenplay.)

Christopher Rosen Final Oscars 2022 Best Picture Predictions (as of Monday, March 21)

  1. “CODA”
  2. “The Power of the Dog”
  3. “Belfast”
  4. “King Richard”
  5. “West Side Story”
  6. “Dune”
  7. “Drive My Car”
  8. “Don’t Look Up”
  9. “Licorice Pizza”
  10. “Nightmare Alley”

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  1. You can skip out Spider man. Since its ineligbilities at the Baftas, the movie couldn’t benefit the momentum some others will receive. No way home means no way at the Oscars.

    Reply

  2. “Power of the dog” would probably win the best picture category but If I were to choose, I personally would have chosen “Belfast”, because emotions and memories related to my personal experience or preference are huge factors and for some awards voters all that matters is their chosen “winner” fits their narrative.

    Reply

    1. Yep. The big problem is that if TPOTD wins, streaming will dominate over the theatrical experience, and can begin the slow death of movie theaters in an instant. Better off sticking to Belfast or WSS winning.

      Reply

  3. I agree with your “safe” top six! I would like to see Drive My Car and Lost Daughter in there. In an ideal world The Green Knight would crack it but that’s clearly not going to happen. Nightmare Alley and Don’t Look Up should have strong chances.

    Reply

  4. Unfortunately, the two best films of this season don’t fit the current profile of the Academy for Best Picture: “Dune” and “Titane”. The first one would have a really good chance ten years ago, but nowadays I think it’s too mainstream-classic-blockbustery to win the most coveted category of the Oscar’s. Instead, ‘Titane’ may fall in the opposite side: excessively avant-garde…

    Reply

  5. There’s one guarantee. Don’t Look Up is definitely getting in. It’s the right kind of movie at the right time.

    Reply

  6. In the good ole days, “Titanic” was a certified “blockbuster” “Don’t Look Up” a blockbuster? Yeh, whatever Netflix says it is. Their definition of the word is highly suspect.

    Reply

  7. The recognition and popularity of DRIVE MY CAR is growing really fast among the movie-goers in the US and the voters. International Feature category is too small to fit. It should go to three main gates: Best Picture, Best Director and Adapted Screenplay.

    Reply

  8. West Side Story for the win! The most colorful, brilliant and entertaining Spielberg movie in years. A masterpiece just like the 1961 classic.

    Reply

    1. Agree, not just on craft, but the win should also be based on a movie that will be a classic that can be watched over and over again due to it’s pure entertainment value, and that is “West Side Story” The Power of the Dog” and “Belfast” are not movies you can sit through 10 times. “Belfast would be my runner up. West Side Story and Spielberg for the WELL DESERVED wins, Spielberg has been pushed aside Again and again for decades now.

      Reply

      1. “West Side Story,” like its 1961 predecessor, should sweep. The other nominees are largely art house darlings, with no where near the approbation from general audiences that they have received from the esoteric critics.

        Spielberg has made a masterpiece of a film masterpiece of a musical play masterpiece—a real Trifecta. No other film running has anywhere near its pedigree.

        Selecting inevitably forgettable “indies” and art house darlings like “The Power of the Dog” has set back cinema into irrelevance for the greater majority of theatre-goers.

        The current viewership for the Oscars has thus become anemic. Relatively few even bother to witness the telecasts any longer.

        Master director Spielberg really should inaugurate his own Motion Picture Academy. Such a move would forever preclude films such as “The Power of the Dog” which painfully bore as many as many as forty percent of their viewers. No film that does that—even if fawned over by art house critics—has any right to be considered a Best Picture.

        Spielberg’s “West Side Story” is a film for the ages. The other films running this year are simply but snapshots in time.

        Reply

        1. 100% YES. The Academy loves to surprise at the last minute, plus WSS will be on Disney+ next Wednesday, which will definitely help it grow its audience and influence voters to lean towards it. If there’s any alternative to POTD, it’s WSS.

          Reply

          1. Do you thinks voters who are over 50 will take the time to open Disney + app ?

  9. If we lived in a world where comedy got respect from the Academy, Don’t Look Up would be an award contender. It’s a well made and wickedly funny dark comedy with fine performances all around. Alas we are not in that world, so it’s near the bottom of everybody’s lists of predictions.

    Reply

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